Posts Tagged ‘thinky thoughts’

I used to write beautiful words.

Monday, January 21st, 2013

My last year of high school, first year of university and on a little before that… I used to blog compulsively. Daily, sometimes hourly. They still exist in the chasm of the internet if you really know where to look. I wrote love letters to nobody and everyone and specific people all at once, and I think it’s time to start that again.

I’ve been nursing my way through The Artist’s Way, for one. It’s been great at getting me to figure out some of my hangups and to get me to just fucking create stuff rather than angst about it. Still lots of things I want to develop but I’m getting better at just seizing the moment and doing things again. Like painting. Or saying “yes, and…” to synchronicity and connections that come along, rather than find reasons as to why things might fail. It’s amazing, all the shit we let ourselves get bogged down under.

One thing that’s been on my mind a lot as of late is just how important it is to approach everything in life with love and joy, rather than guilt or anger or obligation or any of that. I’ve had auditions I was angry about. I’ve had more than one occasion where I was jealous of some other actor for getting something I didn’t. Truthbomb: we ALL have. Anyone who tells you differently is lying. As a performer (especially when looking for work) there’s already so much you can’t control – like if you look ‘right’ for the part – so you might as well love the everlasting shit out of what it is that you’re doing in a given moment.

Another epiphany I had recently is how ‘small’ I allowed myself to stay for a long time. Growth is a constant, concentrated effort, don’t get me wrong. It’s just that specifically when I first moved to Toronto and the company I kept in that time (and their backstabbing and gossip and the things they filled their time with and the way they treated other people) didn’t make me feel good about myself or what I was doing, or about my relationships to other people. I got caught up in their petty bullshit and in trying to fit in and trying not to rock the boat, rather than going out and living for myself and aiming for higher aspirations and doing my own work just for the sheer joy in it all. You really are the company you keep, which is why it’s now doubly important for me to surround myself with talented, driven, passionate, positive people.

And a part of this epiphany is how many good people I had around me that I never really made an effort to get to know beyond anything superficial, and how being in a state of constant drama and turmoil with the ‘small’ people kept me from finding the simple joys in life, from spending more time in the good people’s company, in performing… fuck, I’ve wasted a lot of time, but I’m setting the intention not to tolerate that sabotaging behaviour anymore, in myself or in others. And to spend time with people who I think are awesome, to let hangouts happen organically rather than feeling like I’m begging for attention or being super-awkward when I really just want to get to know people and develop awesome friendships.

I’ll be honest, it’s only in the last month or so that I started getting excited about auditions and that I’ve noticed a concentrated yen to be positive and content where I wasn’t before. It may take a bit of time to get used to this new way of being. Same way that I’ve seen people around for the last three years but I’ve only really started to talk to them (and LISTEN, rather than just talk at) and get to know them within the last three months.

Going forward, I only want to do the most amazing work with the most amazing people. I’m not saying this to be limiting – rather, just to create a space and create a possibility to be able to spend a lot of time with excellent people rather than the wishy-washy sort who aren’t invested in themselves or others. When it comes to love, listening, time, and teamwork I’ve got unlimited capital to share.

I’ve got some more thoughts about improv, acting, and neurohacking… but that’s for another post.

And all that said… just to clarify…
1) If I offer you my time (“we should go for coffee!” “let’s work together!” whatever) I MEAN IT. I won’t offer or agree to anything I don’t genuinely want to do.
2) If I ask you about something, I’m listening. No judgment, no obligation, no expectation, no holds barred.
3) I reserve the right to add more rules of engagement as I see fit. I’m pretty low-maintenance and straightforward when it comes down to it.

Working Girls!

Thursday, April 26th, 2012

(Not THAT kind of working girl, mind you. And than you to Krissy Myers for the above photo of me)

I’ve been thinking more and more about acting as a business, and my life in general as a business. See, this has come about in several ways and through several people, which I suspect is the universe’s way of smacking me over the head and saying “time to evolve”. Recently I took on some work outside of just performing and creating – I’m now working for Fresh Collective as their office manager/Girl Friday. Aside from working for a great, POSITIVE company with a great product and being afforded some very lucky opportunities for serious personal development, my boss Laura-Jean runs a great Tumblr blog called Becoming a CEO. As another creative professional, I find that her blogs resonate a lot with me and my journey, especially one recent post about internal vs external. I think a lot about where I want things to go, and don’t always take the steps I need to make that happen.

See, I am great at Getting Stuff Done for other people and as long as I’m engaged and occupied mentally, I’m pretty happy and achieving great flow. It’s when I don’t feel challenged and engaged that I find ways to procrastinate – and especially in my own personal life stuff (or when I’m afraid of a new challenge) – I find that I will self-sabotage or neglect the work. If I’m involved in a project where other people are relying on me but I’m not feeling engaged, I tend to slowly start slacking off, and if it’s something for me/my career but I have fears/doubts… well, those dishes need doing and I should read this book and… it goes on and on.

Another inspirational lady in my life as of late is my dear friend and fellow actor Miroki Tong. Much like me, Miroki has a lot of passions and interests – I know I’ve fallen into the trap many times of doing more than I can take on, like having five parties in a night to go to or having acting work plus housework plus personal stuff plus commitments to other people plus fun social pursuits. In one of the recent development books I’ve read, they talked about how quitting is not always a bad thing – a lot of smart people know how and when to quit and it can actually work to your advantage. Miroki’s recent post about “saying goodbye to a Jacques of Trades” also resonated with me because for awhile I was trying to build several businesses in tandem. I am slowly learning how to quit everything that is bad/dead end for me – such as not doing photography as business, not wasting time and energy on people who are not supportive in my life, not eating foods that are going to cause me to feel miserable… the list goes on and on. I’m making it my mission this year to quit as much as possible when I know things aren’t benefitting me any and they are sucking up my time that could be better spent elsewhere.

Lastly, a talented lady musician I know, Late July, aka Nicole Simone posted recently about her experiences with “marketing” her music, rather than just making music. I’m torn on this – it seems like you need to market the shit out of yourself these days if you’re to get “anywhere” at all, but I hate the thought of making art purely for profit rather than for what value YOU get out of it. A bizzare comment from someone who’s regularly in front of a camera, I suppose, especially with my resolve to only take on paid projects this year… but I always make exceptions for projects that have MERIT. If something moves me and makes me want to move others – rather than just stand there and look pretty – I am 1000x more attached to it than something I need to “sell.” I like truth when it comes down to it, I guess, and I can’t “sell” anything I don’t truthfully believe in and feel.

All that said, things have been picking up well for me with acting work lately. Among other things going on, I’ve been recently booked for two upcoming pilots (one I had to sign a strict NDA for, so no details yet unfortunately), am wrapping up my dice living, and there’s some exciting new projects on the horizon for the next few months. Always moving forward. Also, planning a wedding. We just got our first contributor on our Indiegogo campaign towards stag and doe ticket sales so that’s pretty exciting considering I haven’t booked the venues yet.

Lately, it’s all about quitting and refocusing and shifting things around in my life, but I’m getting there.

On Group Mind and Groupthink

Monday, December 19th, 2011

This past weekend, I just fininshed an amazing improv class at ITC about ‘working as a group’ – that is, honing our ability to participate with a group mind. We had a great instructor and the class was full of awesome, positive, supportive people who I’d work with in a heartbeat any day at any performance venture. And again, in my world, art often imitates liefe.

Group mind is all about drinking each other in, drinking the koolaid – as they say – and working as a cohesive whole to create something awesome. The energy and synchronicity that comes out of being part of a group working together feels SO positive and comfortable. Group mind is all about ACTIVELY analyzing, listening and supporting one another, with everyone playing an equal part in creation but knowing when to go with the ebb and flow. Watching groups work together in this way is magical.

What makes groups who work together with a group mind (whether it’s in the office, on a film, on stage for improv in a writhing mass of people… wherever…) successful is a combination of things. First off, everyone in the group is actively engaged, actively listening to and observing others, and actively participating – which means they have just as much chance as anyone else to steer the group in a new direction and contribute to the overall endeavour. Also, a critical component of a successful group mind is that there is NO negativity and judgment of other group members, or for that matter, those outside the group. Everything is accepted and most importantly immediately supported, all within a safe environment. That’s what allows trust and that’s what lets the magic happen.

Something I’ve been thinking a lot lately about is the functional opposite of group mind – groupthink. (For those curious about what groupthink entails, the Wikipedia article is pretty decent.) I’ve been part of groups that have utilized groupthink – without realizing just what was going on – and the results are not nearly as positive. In fact, I would venture to say that groupthink is highly DESTRUCTIVE.

Here’s how groupthink effectively differentiates from group mind: everyone is NOT an equally valued individual engaging in active participating and listening. People are pressured to be uniform – usually based on aspirations of the group leader – and silence is seen as consent towards the group’s actions. Anyone other than the leader who dares to stir change is often seen as “disloyal”; unlike group mind which is ONLY about members of the group, those falling victim to groupthink are also led to see people outside of the group as outsiders – and often, therefore, wrong. Absolute pure morality of those with groupthink is never questioned – the group is assumed to be “right”, always.

Of the two, I know which I prefer.

I’ve spent a lot of time observing people lately, and contemplating my own past and present actions in a variety of situations. I’ve also spent a lot of time talking with people I trust… and of the groups I’ve been present in – one using group mind and the other being highly partial to groupthink – I’ve made some highly telling observations. In the former group, we’ve had some brilliant discussions. What I’ve seen that is perhaps most telling is an overall lack of overwhelming negativity. Certainly, there’s things that bother us and we discuss them, but one telltale characteristic is an ability to separate dislike of a person’s action from dislike of the person themselves. In the groupthink group, I’ve seen hatred of a person (usually a previous group member) snowball from one small act that went against ‘what the group wanted.’ And that’s happened a little too often for my liking.

There’s a culture of underlying trust, of “I’ve got your back”, of “take that risk and we’ll support you” in the group with group mind. There’s not nearly the same level of judgment that is present in the community that fell prey to groupthink. In the latter, personal risks and choices to make bold moves were rarely acceptable; if you did something too ‘out there’ or if you told the wrong person the wrong thing you could guarantee that the group would turn on you, usually after you were backstabbed by another group member.

From observing people for so long, I get why people fall into groupthink. I honestly don’t blame them for it; it’s something I’ve succumbed to as well. The important thing is to realize when you ARE being inherently destructive – of yourself, of another person – and to be able to safely pull back from the group. It takes a strong person to call themselves or someone else on their faults, but it takes an even stronger person to own their faults and move on from them.

On Bullying.

Wednesday, December 7th, 2011

I’m seeing a lot of propaganda, postings, Twitters, blogs, etc about bullying lately. Some are insightful, some are hate campaigns in disguise, some are shocking sensationalsim, some of them mean well but are not progessive… The bottom line is you have to critically evaluate everything you read on the internet for it to be useful. Taking something at face value that may or may not be factual is dangerous to say the least.

I think we can all agree that we want to find *constructive* ways to make our and future generations more adept at dealing with and minimalizing both the impact bullies have on society, in the classroom, etc, and we want to see a reduction in bullying that happens. Anywhere. To anyone. Period.

Here’s the thing – I am an actor. I am a student of life. I observe the way people act, react, and interact. It’s crucial to my art to be able to understand and feel and express emotions – the whole spectrum, all the good and the bad. In elementary and high school, there were occasions where I was bullied. I still remember my “best friend” in Grade Two leading me with my eyes closed (because I trusted her!) through a pile of dog crap. In high school, there were spitballs and gum in my hair, people making fun of the way I dressed and the beliefs I had. (You try being a bisexual pagan teenager figuring out her identity in a small town – not easy to say the least!) Even in the core group of friends I had leaving high school, we had in-fighting from time to time. All of these women have grown up to be exceptional, kind, generous, beautiful people I am still happy to call friends, may I add.

The bottom line is that I know how it feels to be bullied. It’s not a feeling I want to have, and it’s not a feeling I want to cause others to have, either. However, fairly recently I let ‘love’ and hushed nasty gossip blind me to the hate campaign I was being encouraged on towards another woman. When I finally came to my senses I apologized to her for my actions. Not for any cookies on this end, but because what I and others had been engaging in was wrong, period. I can’t speak for them but I could at least speak for myself and acknowledge my own poor choice of actions. I let myself be blinded by groupthink, by the hate and superiority I was told it was okay to feel toward this person, rather than getting to know her at all and judging her on my own interactions with her.

Again, as an actor, ultimately my job is to move others, to inspire them, to provide them with a sense of catharsis. In my own daily interactions, I much prefer to build up and support other people, not tear them down and spread needless hate around. Hate begets hate – that’s a hard lesson to learn, but it’s why I try very hard not to return the unnecessary anger, lies, and betrayals that come my way from time to time. You can disagree or be upset with someone’s choice of action without hating the person doing the action. With all the people that have hurt me over time, I do not hate them. I am not after ‘vengeance’. But I have felt hurt and I am disappointed with what these people have done to hurt me, especially when those things are done intentionally and maliciously. Have I mentioned that as an actor, I’m probably also overly sensitive? Yeah. I cry at those stupid commercials with sad kittens.

There are a lot of things we can do to shrink the power of bullies. For one, always being responsible for our own actions and leading by example – teaching children to think for themselves from an early age, rather than go along with what the group is doing just because it’s ‘cool.’ Teach them to have the courage to stand up to the group when they don’t agree with what’s going on. The more people who will speak out when something is wrong, the less wrong that will be tolerated. Commend leadership instead of criticizing those who dare to be different.

As I mentioned above, you also need to separate the action from the person. Calling someone a bully – especially young, vulnerable minds – is just as harmful a name as fat, ugly, stupid, slow, etc. The same with labelling someone a victim. Even adults are far too quick to ascribe one overall characteristic to someone, sometimes. “Oh, well, if I’m a bully, then I guess everyone’s going to hate me anyway and why should I be nice to them?” People take on the labels and identities they are given by others, whether or not either party realizes it.

Thirdly, you can find alternate ways to respond to hatred when it is directed toward you. People who harm and seek to control others (through mental, verbal, physical, etc tactics) usually do so because of a perceived lack or hole in their own life. You can hold someone accountable for their actions without using blame and without raising your voice, both of which also serve to increase anger and hostility. There is also a fine line between forgiveness and allowing something to happen more than once. Some questions I find effective at reducing blind hatred and rage are “What’s really bothering you?” “Why are you directing your anger at me?” “Why are you hurting?” It may take some time for the angry person to come around, but by challening their core rather than responding to their outward bluster, you are more likely to effect change rather than compound their hostility.

Creating a culture of true equality and inclusion will also minimize the emergence of bullies. This one is a harder task than the ones prior – and those are not often easy feats – but when people feel they are valued equally and not in competition for affection/benefits/what-have-you, they will be less likely to want to cause discord to get what they feel are missing. If something’s not made out to be a big deal, other people won’t consider it a big deal – but the stronger the reaction or struggle, the more magnitude it will gain.

With regards to victimization: again, it’s the repeating of jargon that makes someone believe what they hear – telling someone they are a victim enough times will be sure to have them feeling perpetually targetted by life. If you tell someone that they are stronger and wiser despite their pain, that label will stick just as well as if you tell them they were victimized. Personally, I feel that I am a product of my past experiences, NOT a victim, despite the upsetting things I have undergone. These experiences have made me stronger, wiser, less tolerant of injustices, and more willing to speak out on behalf of myself and others when I know people are being wronged. I catch a lot of flack for being so verbose, sometimes, but I am doing what I feel is ultimately right.

People who go through being bullied, abused, etc should be given the freedom to discuss their experiences in a non-judgmental environment. They should be given the freedom to express their feelings without being told that they are wrong, overreacting, lying, exaggerating, and without demands put on them for the things they “should” do now. If someone has been physically threatened, for example, they should be reminded that they have the option to report said person to law enforcement if they so desire. They should not be made to go, but by the same token their experience should not be trivialized so that they end up not reporting the person, who may go on to do further damage to them or others. When feelings are judged, people are going to carry the trauma with them longer than if they are allowed to express themselves and work through what they are feeling.

A little extra tolerance and kindness for those who are struggling with bullies never hurts, either. It may be frustrating for any number of reasons to see a friend or loved one go through pain, but when you stress them further about the situation “What are you going to do?” “I think you should report them!” “I don’t believe you.” “You’re exaggerating.” “Don’t let this impact your homework!”, you are going to make things worse for them instead of better.

By the same token a zero-tolerance approach for bullying is needed, which includes both consequences for the person doing the bullying AND an attempt to figure out the cause of the person’s hurtful behaviour. In schools, instead of a time-out, how about missing out on a day or two of their club or sports team, and talking with a guidance counselor instead?

The important part is that the person causing the hurt must realize the consequence is directly related to their action – which also means that those receiving the consequences must be given agency. That is, if they change their behaviour for the better (or say, sincerely apologize for their actions), they won’t have to serve their entire punishment. But if they let the behaviour happen again, the punishment is worse next time. They need to be given a limited amount of trust, and be allowed to rebuild what they have broken without undue further judgment. They also need to not be ostracized for life for one action – none of us are perfect and we all make mistakes.

So why am I writing this all? I guess it’s because recent events really have me thinking – about how to make the world better, about how to make myself a better person, about how to have better relationships with others. Certain recent events and the way they were handled have really upset me, but in that situation I do not have the agency to control anyone’s reactions but my own.

All I know is that I want to see things get better, not worse, and I’m willing to do my part to make it so.

I Have Been Her Kind

Monday, July 25th, 2011

I should be crying, but I just can’t let it show.
I should be hoping, but I can’t stop thinking

Of all the things I should’ve said,
That I never said.
All the things we should’ve done,
That we never did.
All the things I should’ve given,
But I didn’t.

Oh, darling, make it go,
Make it go away.

Give me these moments back.
Give them back to me.
Give me that little kiss.
Give me your hand.

- Kate Bush: This Woman’s Work

I’ve been debating whether or not to publicly put in my two cents about Amy Winehouse’s death. Amanda Palmer’s blog has a brilliant post about it, something I relate quite to and I feel is written beautifully. Also, I applaud Kimya Dawson for being wonderfully raw and real about her own experiences with drugs and darkness.

But my story’s a little different than that. (Or maybe not, but everyone will admit to different things.)

I never knew the woman and didn’t idolize her music nearly as much as other musical influences, but in death Amy’s hit me in unspeakable ways. See, I have been her kind. I’ve never been so far and so badly gone that I’ve overdosed, but I know what it’s like to get lost to the point where you can’t see the people in front of you who care and want you to thrive. Personal hells are just that – personal. You can’t claim to understand thoughts that aren’t yours. Drugs and alcohol and sex are all good distractions from the noise in your head – insecurities and demons and losses – but they only go so far. They don’t erase, only numb, and there’s only so much you can do before the voices break through again.

I believe Amy sang because she wanted to share her message, her feelings, her grief. She sang waiting for someone to say “I understand, I’ve been there too. Now pick yourself up and come along. It’s going to be alright.” And maybe she sang to say the same thing to others.

Making art (whether you’re a singer, writer, filmmaker, actor, whatever) is about life and emotions and relating to other people. It’s about getting your unique message out there, about trying to make sense of what you know and feel and experience. And with that all, you’re offering your experiences to others on a silver platter. You want to be understood, accepted, loved. And all of that can drive you mad.

There are times when I’m afraid to feel, because (like the quote in my last blog post) I know how overwhelming it is. A lot of creative folk are like this, I find. Love wants to burst from your chest and makes you dance in the streets. Misery lurks around corners and attacks out of nowhere, savaging you like a bear. It’s hard to not get caught in that tumultuous undertow, the ebb and flow. Monroe, Cobain, Van Gogh, Ledger, Elliot Smith, a hundred thousand others have been there too and got lost.

No one person’s feelings are any more or less valid, less real, than anyone else’s. But they’re sure as hell going to vary in intensity and focus. Creative people especially are vulnerable to what I think of as neurodiversity or uniquely-brained: many struggle with some or another ‘mental illness’. It’s not something that people can just permanently think themselves out of and move on from, like those who have relatively ‘normal’ brains can. Moods haunt like ghosts.

As an actor, I sometimes wonder if I’m not a part of that group. Why it is so natural for me to suffer tragic deaths over and over in the horror films I’ve been in. Why I am so easily able to become a troubled victim of rape and incest. Why I can kill my own child. Why I can be an otherworldly creature. In these moments, I’m not pretending or denying the feelings that come. I just am. It scares people just how quickly I can cry on camera when needed, and how quickly I can laugh again when the cameras stop. In those moments, I feel it all, and it moves through me. Other times, without that immediate and wonderful creative outlet, it won’t let go.

It’s all or nothing. You either feel everything and take what comes with it, or you try to shut off. And shutting off ruins your art, makes it a hollow shell. I’ve had those bad auditions where I just couldn’t connect to the character and the bad improv sets where I know I’ve just been a talking head. And in those moments, you feel like you’ve failed yourself, and it all starts again.

Amy Winehouse, the girl who felt too much. Rest in peace with all the other creative souls.

Me and Method Acting

Thursday, March 3rd, 2011

Sometimes I think I’m too honest, that I feel too much and tell people exactly what I think a little too often. I’ve always been a terrible liar, see, and I’ve heard more than a few times that I can be scary/intense/just plain weird. Especially when I can tap into ‘the darkness’ and turn on the tears for a scene, and then be smiling again when I hear cut.

Mostly, I’m smiling for all of your sakes so you don’t think I’m a complete basket case. See, I like the roles that are dark and disturbed because that is what I come from, that is what is hauntingly familiar. For all some of my family loves me and tried to do right by me, my mother’s husband is an abusive fucker and to say I did not have a happy childhood is probably a gross understatement. It takes work for me to be a fucking Pollyanna social butterfly sometimes.

So, long story short, I’ve spent the last week preparing a piece from 4.48 Psychosis for an important audition. For those of you who don’t know, it was Sarah Kane’s last work before she killed herself. It’s about depression and suicide, and it’s hard not to tap into all of those rich, vivid, negative as hell emotions. It’s hard to remember there’s any love there when the urge that comes to the surface is to do extreme violence to yourself or others, and to feel like everyone is out to get you somehow. Either way it’s got to end and it’s not going to be pretty.

So in other words, if I’ve seemed distant and combative and scattered, that’s why. I wish I could just shelve it and move on, but it always takes me a bit to come back out of – there’s too much history there for it to be comfortable or casual. I could use a few extra hugs/drinks/chocolate this week.

There will be more dice next week, and hopefully I will be back to being chipper once I remember the world is not out to end me.

Also, if you’re around the GTA, check out Rock The Wave this Friday. Great event, and I am glad to be donating some photography gift certificates for a substantial discount on my rates.

How Improv and an Irish Boy Saved My Soul

Thursday, December 16th, 2010

So, a year ago… I was not necessarily terribly unhappy, but I would also not say I was terribly gleeful (adorably addictive musical show aside.) Go back a few years, and that is all the more true. Ask me how I’m doing (and hey, I’m still working on this one) I would say something sarcastic like “not dead yet”, or “not too bad I guess.” All stuff with negative connotations.

I don’t necessarily think of myself as an Eeyore, let’s be straight here. I’ve had a life that had its ups and downs – more than some people have had to deal with, sure – but in terms of acting and a sliding scale of optimism, I would say I am firmly a realist and have always been drawn to the more dark and tragic character roles to play. Probably why I love working in horror, actually, there’s not often any real sort of happy ending.

Anyway, point is, I didn’t really think of myself as a cheerful or funny person. Sure, I’ve got my biting wit, but I’m just as likely to offend someone as make them laugh. Fast forward to last summer, when I was at an event to promote a then-current project of mine. I met someone who seemed to have a fair bit in common with me, someone who after some getting-to-know-you, had endured at a younger age stuff beyond even my realm of shadows. Or maybe not, but point is, this person is always a ball of energy, the life of the party, and who always makes it a point to find the fun and encourage others.
I am also incredibly proud to say that I have now been dating said person for more than a year, and he is both supportive of my acting endeavours and we are working toward making a life together. It’s a real blessing to have that driving force in my life, forcing me to lighten up and be present.

Secondly, as much as it was for my career, my move to Toronto was partly to make that big old leap into being with Declan, my partner, on a daily basis. And that blind leap has blessed me with so many talented new friends and fantastic opportunities. I get frustrated often because it really does feel like baby steps, but looking back I really have accomplished a lot this year. One of my biggest positives has been my improv classes at Impatient, and latterly, my teams and the brand new offshoot – announcing… Pandora’s Toybox, my own personal and changing group of people I improv with for events like the Coin Operated Improv fundraiser for the Sunburst Awards. Either way… Wayne, Matt, Ted, jason, and everyone I’ve taken classes and performed with… Thank you. Not only have you made me a funnier and more cheerful person, you’ve also made my time in Toronto so far totally awesome.

So yeah… I’m not normally this introspective (at least not publicly), but this is something I’ve been thinking a lot about as a person and as an actor, and I’ve gotta say that a little change will do you good.

Oh! That said, all you lovely ladies who are worrying about money, or want a better financial plan, or even just want to be part of a great movement, you need to check out Shannon Simmons and her Barter Babes Project. I cannot say enough great things about this lady – she quit her well-paying full time Bay St job to bring accessible and helpful financial advice to gals like you and me who probably can’t afford the steep fees charged by financial planners. Not only is she gorgeous and talented, she’s got a heart of gold and is someone I would happily consider both a business associate and a friend. So get involved, help her reach her goals, and get something amazing in return.

Okay, okay, enough gushing… it’s dinner time!

News, projects, fundraisers, Polaris 24 post-mortem… the usual…

Friday, July 23rd, 2010

Summer seems to be the busiest season for everyone, hands down!

First off, if you take a peek at the website, you’ll notice there’s been a few updates – some new photos are up from The Witching Hour and Stiffs on the Green. There will be some photos from the Constellation Awards going up soon, too! (But have a couple in this post, for now.)
Though it’s still being edited and revised, I’m expecting to have my ebook out by the end of the month. Unfortunately, that’s had to take a back-burner to auditions, photoshoots, and film projects. And sleep, sometimes. Sleep is necessary at times. ;)


Me with Robert J. Sawyer

Not sure if I mentioned this, but I recently signed with a great new agent, JC at Just Canadian Talent. They haven’t quite updated the website yet, but it’s nice to be represented again and to have a second pair of eyes looking for auditions for me. One common misconception it seems a lot of people have is that when you have an agent they find you work – it’s not like that at all! Agents can often help you get more auditions and to be seen by more prominent casting director, but as an actor you should always be working for yourself regardless.

And speaking of work, I have a few exciting new opportunities coming up that I’m pretty stoked for. I’m doing some modeling for Metal Star Fashions – Mila Starr, the designer, is the same brilliant costume designer from Black Eve. I’ve been promised photos soon, so I’ll share them when I have them. And throughout August, I’ll be working with Department 7 Films again, this time on a feature film. I’ll be playing the principal role of Ivette in One Week in Windchocombe, and we are shooting on location in a beautifully derelict old farm. (link) Check this place out, is it not beautifully creepy?

Before you get scared off, I wanted to point you all to some great fundraisers I’ve been helping out with, ran by some awesome people. Please take some time to check these out, and contribute what you can. I think it’s very important to give back to the community and to help out those who need it – as an artist, as an animal lover, as a fellow human being.
First off, my friend (and fabulous Toronto actor) Carlos Diaz donated his birthday to charity and is fundraising for Chile (link), to help them build new homes after the devastating earthquake in Chile.
My best friend Kimi is running a similar idea, to donate money towards helping Bengals in need (link) also in lieu of presents for her birthday. This just makes her that much more awesome!
Another good friend of mine (and fabulous photographer) Tanya is hosting a barbeque fundraiser for North Toronto Cat Rescue (link). Even if you can’t attend, I know she would appreciate any donations you can make!
In other words, I’ve got some great friends doing some great and unselfish things, and I would really appreciate anyone who can helping them along!


Tanya’s beautiful Didi, adopted from NTCR

Lastly, I’ve been asked a whole bunch about Polaris, what happened to the horror makeup workshop I was supposed to do, etc. To blatantly re-use what I sent as post-con commentary: “Aside from a few small snafus, I feel my improv workshop went off very well and was quite pleased to see so many people out and having fun.
I think I had about 20 – 25 participants at peak – some people came and went as there were other panels they had, and not everyone who showed up had tickets, but overall it seemed like everyone was quite enjoying themselves…
Also, I had a great time paneling with Ajay Fry, Violette Malan, Jo Frankel, Cindy Mohareb, and Sheena Callighen. And as mentioned, I’d be happy to offer marketing suggestions for next year.”

The convention itself was pretty fun, and I got to see both a lot of old friends and make some new ones. It’s also a bit of an odd duality, as I was at Polaris to work as a professional actress, even though I am also friends with a fair number of the attendees and spent a lot of time hanging out. Helping out at the Constellations as their trophy girl was a blast, as Gavin Stephens and I spent a lot of time goofing off backstage, and I had a chance to chat and hang out with a lot of great Canadian talent. It didn’t feel like work at all! Also, Kai Owen was gracious enough to buy me a beer on Friday night – and it was pure awesome to see another actor who is very direct and honest. Sometimes I feel like we’re a rare breed – yes, there’s an ‘image’ to maintain a lot of times, but it bothers me when people are insincerely nice or just passive instead of speaking what’s on their mind. I also didn’t get much sleep throughout the weekend, which means everyone who dealt with me is that much more of a saint. ;)


The talented folks at the Constellation Awards!

Yes, my horror makeup workshop did get cancelled due to ‘lack of registration’, which was admittedly disappointing. From what I understand, there were three people registered to do it when they decided to cancel it, and the minimum they have ran workshops with in the past was four (a yoga workshop, last year.) My only real issue was that the workshops weren’t really adequately promoted ahead of time as other aspects of the convention were – even friends of mine who were attending didn’t know I was a workshop guest – and it’s hard for people to express interest in something they don’t even know exists. (If you were one of those registered for the horror makeup workshop and happen to see this, let me know and we’ll see what we can work out – I’m still happy to teach you!)
I see this as a learning experience, ultimately, and I’ve since offered to share my marketing knowledge to make next year more successful… so we’ll see what happens there!

One last PS: The Streets of London is my amazing new improv team, and we do shows at Comedy Bar. Check out the website, and come see us be silly!

Happy Friday!

Things that are “Pretty Fucking Sweet” this week…

Tuesday, April 6th, 2010

(My loving-on posts are in the works, not to worry! I’m just taking time to compile more of a list and more eloquent reasons as to why these people are awesome.)

In the meantime, here’s yet another awesome acting blog for some inspiration: Acting Without the Drama. Ben, the guy who runs the blog (and you can also follow him on twitter: @Actingnodrama) was originally linked to me through my friend and fellow actor Marco Gennuso (who is also on twitter: @MarcoGennuso). Ben is full of practical, honest, and thorough advice which a lot of people don’t bother to give away for free. And best of all, he’s an outgoing and genuine guy who’s great at reaching out to people.
In my humble opinion, if someone’s going to impart knowledge for free, take it. Take what you need and can use from it. Too many people want to make money off being “an expert” in something, and that often comes with a sort of taint that anything given freely does not.

Secondly, a little “yay me!” moment… tomorrow, I’m going to be filming for Global’s new Digital channel. So excited for that! And I’m equally excited to be attending an exclusive premiere of the new Doctor Who on Thursday, hosted by Space. (Even if a lot of you have already watched the torrent. ;p) I’m going to see if I can’t put together a costume set for me and my guest, to go as Eleven and Amy. I promise pictures if I pull it off! ;)

Lastly for now, I started my improv training last night at The Impatient Theatre Company. It’s been a long time since I’ve been on the receiving end of improv in a classroom setting, and boy does it feel good to be back. I’ve taught improv to kids and I’ve played improv games, but there’s something different and almost magical about being able to develop that much more in an open and nurturing setting. I think part of what I really like is that most of my classmates aren’t “actors”, they don’t have that need to perform and be seen. Rather, they’re just honest, open people who are just as nervous on the first day as I am and are more about just being.
The mutual vulnerability is a beautiful thing.
From it comes some very honest work (as funny as it is, it’s also honest and raw to proclaim to a room full of people that you love sex, or that you love orgasms, or that you love your daughter) and to me, that is what the root of acting should always be. The truth. Not your own personal truths as you as an actor. Your character might or might not be worrying about that huge pimple on their face or whether their hair is perfect or whether you fed the dog or whether another actor on set is prettier than you are. That stuff’s all crap when you step into a role but so many of us can’t shake it off 100% of the time, myself included. Improv is so freeing from that. It takes you out of your head and makes you hungry for the truth, for those moments of honesty and those sparks of connection between you and others in the scene. It’s about those connections between people, and man, is it ever Pretty Fucking Sweet.
(And that’s why I’m so happy to be doing it, because I need it and I crave that expansion beyond myself.)

Creativity breeds… more creativity.

Thursday, April 1st, 2010

Remember those blogs I linked last post? There’s a hundred, a thousand more that I could link. That I should link. Why? Because I like to feel inspired, I like to know that there are other creative and perhaps a little left-of-centre people out there working as hard as I am to make their dreams come true.

First off, did you get a chance to read the Cosmo issue featuring Lady Gaga? No? Then go get it. I’ll wait.
Read it? Good.
So. My biggest Gaga turn-on? I like and admire her as a performance artist. Yes, she’s a talented musician. Yes, she’s attractive. Yes, she had some of the same issues I did back in high school. But you know what? She’s bodacious enough to embrace the unusual, to move past her past and always seek to be better and more bodacious. From her own site:
This is one rising pop star who hasn’t been plucked from a model casting call, born into a famous family, won a reality TV singing contest, or emerged from a teen cable TV sitcom. “I did this the way you are supposed to. I played every club in New York City and I bombed in every club and then killed it in every club and I found myself as an artist. I learned how to survive as an artist, get real, and how to fail and then figure out who I was as singer and performer. And, I worked hard.”

(Maybe I’m still trying to figure out who I am as a performer. Hell, I look back at things I did two, three years ago and think “Man, I could do that so much better now. I really sucked then.” It’s about sucking less, or not sucking at all.)

Next up: Amanda Fucking Palmer. I was a devout Dresden Dolls fan when the band was together, and more than a few of her songs from that time period hit home. Then she went solo. I liked and respected her even more for striking out on her own, and especially for not being afraid to be a REAL woman performing what and how she wanted, instead of being yet another carbon-copy Hollywood waif. And now she’s doing EvelynEvelyn… she’s pushing and reinventing and coming up with new things, not just stagnating. And she’s real. I’ve had a couple tweets from her, I’ve seen her interact with other people I know. She’s not hiding behind her computer or sunglasses or whatever going “I’m a celebrity and different from you regular people.” And she and Neil Gaiman are damned cute together.


… I hate to cut this short, but I’m apparently getting dragged out. Expect a continuation of this post later (maybe several), with a few of my favourite actors and why they inspire me.