Archive for the ‘PSAs’ Category

Hello 2012

Thursday, January 26th, 2012

Things seem to be really picking up both for myself personally and for the industry, and that makes me very happy. More on career developments to come in another post.

The following started out as a note on my Facebook but I wanted to share it here too, because it is something VERY important to me…

Since being in an amazing, loving, nurturing relationship where I am positively supported and cherished… well, it’s hard to look back on where I was a year ago. It frightens me that I – a smart, strong woman – would allow myself and others to gaslight and downplay the abusive relationship I was in such that I stayed in it for a more than a year after the first signs of domestic violence.

It frightens me that after having grown up with an abusive step-parent, that I could rationalize AT ALL someone physically choking me as being “all right”, that “he didn’t really mean it.” That for too many months again, I stayed silent and made excuses about the choking and about a later incident that resulted in 15 stitches in my arm. I didn’t want to cause drama, I didn’t want people to take sides – I just wanted space to start healing when I finally woke up to the hell I was in. It’s hard to make any sort of rational decision or movement when you’re in the middle of an emotional Holocaust.

So, I bent over backwards to accommodate people who claimed to be friends, who claimed to be “acting in my best interests” and who “wanted the best for me.” I was made to retract and apologize for coming forward about the abuse, for bringing it up. I was given so many strings of bad advice: that I should try to work it out with him, that I was over-reacting to the whole situation, that it was “my fault” somehow… essentially, that I was the bad guy, the one to blame.

Oh, the blame. It came from my abusive ex, and it came from his friends… you know, the ones claiming to be “mutual friends.” In this sort of situation, there cannot be mutual friends. By choosing not to choose, you’ve ultimately made your choice. The real problem is that it was so easy to buy into the “my fault” theory for so long, that I was somehow not good enough and that I’d intrinsically failed somehow; had I been “better” none of this would’ve happened.

Women, men, everyone – that is BULLSHIT. Abuse in any form is never the fault of the person being abused. I don’t like the word “victim”. Victim implies helplessness, and while there may be a learned helplessness akin to a frog in boiling water… you need to realize that you CAN get out. That it is NOT your fault. It is NEVER alright for a person to emotionally or physically bully and abuse another person, and it is most certainly not due to any lack on the part of the person being abused.

Being in an abusive relationship seriously erodes your sense of self, and of self-worth. In some cases, no physical harm is ever done, but it does not mean that the relationship is not abusive, or that there are no lasting implications. If you don’t nip abuse in the bud, it’s a slippery slope downhill. The first time has to be the last time, period. No justifications, no letting off the hook. If you have the capacity to forgive then do so, but don’t ever forget. And write it down somewhere. Report it. Don’t sweep it under the rug.

It’s so easy to convince yourself that the abuser is “not that bad”, that “s/he didn’t mean to hurt me”, that “it was a one-time thing.” These are all things I’ve said to myself… as someone who logically, rationally knows the signs of abuse, it took a serious injury to jar the irrational side of my brain that pled “but he loves you” into realizing that nobody who truly, legitimately loves you would intentionally cause you harm and then have the gall to blame you for their own choices and actions.

I lived in profound unhappiness for months. I had a justification for almost everything he did that hurt me. And there were plenty of times where my abusive ex was nice, even seemingly caring and sweet. He paid for the occasional dinner or share of groceries. He put on a great face of “I’m the fun, carefree guy” in public – it’s a surprisingly common trait for abusers to be able to do so, to convince the outside world that they’re not the one to blame in the relationship. Not that healthy relationships need someone to blame or be a victim. (It’s hard to remember that when you’re in the middle of something irrational and harmful.)

Ultimately, all of those “nice” times did not excuse or make up for the way he treated me as an inferior, for the way he refused to meet needs I presented to him. For the way he went extra steps to mock me or make me unhappy when he knew things bothered me. For the way he continually dismissed my feelings or got angry any time I had an opinion that differed from his own. For the times he abandoned or hurt me in his fits of temper.

My abusive ex would always get the most angry at me when I stood up for myself. When I voiced my wants, my needs, when I dared to express and press forward with an interest, opinion, or course of action that he disagreed with or that inconvenienced him somehow. As I’m discovering, rational, mature couples can talk about their differences of opinion without it being a screaming match and without one party storming out.

I even see it now in photos, the blatant disregard he has for anything but himself and his wants. There was never any love in his eyes when he looked at me, just a disdain and an unhappiness. Unfortunately, some people are like that – and more unfortunate are the ones who will harm others to make themselves feel better or to get what they want from them. I’ve learned to feel pity for them – but it DOES NOT excuse their behaviour.

The growth that I’ve experienced in the last year is like the change from a caterpillar to a moth; a metamorphosis still in progress. For the most part, I am ecstatically happy again. I find joy in the smallest every day things, I feel loved and cherished by friends and family and my partner. I’ve accomplished a lot, personally and professionally.

Conversely, I still doubt myself from time to time – why I’m here on this planet at all, if what I’m doing is good enough, if I’m liked and respected for what I do. What, if any, value should I place on my time and my work. If I’m pretty or thin or charming enough, or why not. I hate to be so callous, but at the end of the day others’ opinions shouldn’t mean a damned thing – especially if they’re bringing you down instead of uplifting you.

Why am I thinking about all this now? Because, unfortunately, there is still unresolved bullshit that needs to be dealt with from this abusive relationship, and I am in the middle of some of it. So all of this is front and centre in my mind. I don’t generally like to get this personal or this detailed about my own life – but I want others to hear my voice.

Ultimately, I want others to know this: that you are not alone. That you are never so far in that you can’t get out. That anyone who doesn’t have YOUR happiness, safety and comfort first and foremost as a priority is not someone you should be associating with. Life does go on after leaving an abusive relationship, and it gets so much better. You deserve better.

I want to say this in closing: re-learn to recognize if you are in an unsafe situation. If you’re in a relationship with an abuser, GET OUT. Don’t wait. Report everything to the authorities and keep reporting until someone listens to you. You won’t regret having everything clearly documented, trust me.

My biggest problem is that I downplayed and I waited. I put someone else’s reputation and happiness above my own needs and mental state. Because I loved my ex, because I didn’t want to see him go to jail I didn’t immediately call the police when he physically attacked me. I intensely regret this choice now because it has caused me so much more heartache, stress, and time in court (to say the least.)

Feel free to pass this note around. I hope my experiences and heartfelt words are enough to save someone else in a similar situation.

For more information on domestic violence, visit: http://helpguide.org/mental/domestic_violence_abuse_types_signs_causes_effects.htm

I Have Been Her Kind

Monday, July 25th, 2011

I should be crying, but I just can’t let it show.
I should be hoping, but I can’t stop thinking

Of all the things I should’ve said,
That I never said.
All the things we should’ve done,
That we never did.
All the things I should’ve given,
But I didn’t.

Oh, darling, make it go,
Make it go away.

Give me these moments back.
Give them back to me.
Give me that little kiss.
Give me your hand.

- Kate Bush: This Woman’s Work

I’ve been debating whether or not to publicly put in my two cents about Amy Winehouse’s death. Amanda Palmer’s blog has a brilliant post about it, something I relate quite to and I feel is written beautifully. Also, I applaud Kimya Dawson for being wonderfully raw and real about her own experiences with drugs and darkness.

But my story’s a little different than that. (Or maybe not, but everyone will admit to different things.)

I never knew the woman and didn’t idolize her music nearly as much as other musical influences, but in death Amy’s hit me in unspeakable ways. See, I have been her kind. I’ve never been so far and so badly gone that I’ve overdosed, but I know what it’s like to get lost to the point where you can’t see the people in front of you who care and want you to thrive. Personal hells are just that – personal. You can’t claim to understand thoughts that aren’t yours. Drugs and alcohol and sex are all good distractions from the noise in your head – insecurities and demons and losses – but they only go so far. They don’t erase, only numb, and there’s only so much you can do before the voices break through again.

I believe Amy sang because she wanted to share her message, her feelings, her grief. She sang waiting for someone to say “I understand, I’ve been there too. Now pick yourself up and come along. It’s going to be alright.” And maybe she sang to say the same thing to others.

Making art (whether you’re a singer, writer, filmmaker, actor, whatever) is about life and emotions and relating to other people. It’s about getting your unique message out there, about trying to make sense of what you know and feel and experience. And with that all, you’re offering your experiences to others on a silver platter. You want to be understood, accepted, loved. And all of that can drive you mad.

There are times when I’m afraid to feel, because (like the quote in my last blog post) I know how overwhelming it is. A lot of creative folk are like this, I find. Love wants to burst from your chest and makes you dance in the streets. Misery lurks around corners and attacks out of nowhere, savaging you like a bear. It’s hard to not get caught in that tumultuous undertow, the ebb and flow. Monroe, Cobain, Van Gogh, Ledger, Elliot Smith, a hundred thousand others have been there too and got lost.

No one person’s feelings are any more or less valid, less real, than anyone else’s. But they’re sure as hell going to vary in intensity and focus. Creative people especially are vulnerable to what I think of as neurodiversity or uniquely-brained: many struggle with some or another ‘mental illness’. It’s not something that people can just permanently think themselves out of and move on from, like those who have relatively ‘normal’ brains can. Moods haunt like ghosts.

As an actor, I sometimes wonder if I’m not a part of that group. Why it is so natural for me to suffer tragic deaths over and over in the horror films I’ve been in. Why I am so easily able to become a troubled victim of rape and incest. Why I can kill my own child. Why I can be an otherworldly creature. In these moments, I’m not pretending or denying the feelings that come. I just am. It scares people just how quickly I can cry on camera when needed, and how quickly I can laugh again when the cameras stop. In those moments, I feel it all, and it moves through me. Other times, without that immediate and wonderful creative outlet, it won’t let go.

It’s all or nothing. You either feel everything and take what comes with it, or you try to shut off. And shutting off ruins your art, makes it a hollow shell. I’ve had those bad auditions where I just couldn’t connect to the character and the bad improv sets where I know I’ve just been a talking head. And in those moments, you feel like you’ve failed yourself, and it all starts again.

Amy Winehouse, the girl who felt too much. Rest in peace with all the other creative souls.

Confessions, Redux.

Thursday, March 10th, 2011

First off, more dice living is coming. I just haven’t had the post/render/upload time as of late. But they’re on their way. I’m glad to see it’s up on IMDB.

Secondly. I’ve probably said this before, but I fall in love at least twice a day with what I call “professional crushes.” I can’t help it – people who are brilliant and passionate and creative are like crack to me. And I’ve got an itch in the worst way for more, always more. I’ve probably been smitten with you, yes you reading this, at least once. Don’t worry, we’re not likely to end up sloppy drunk in bed together. Just know that you’re doing awesome things and I admire them and I admire you for it.

Lastly, this isn’t me. Well, I mean of course it’s me, but it’s not me. I don’t usually play the sexy woman or try to get by on my looks (for a variety of reasons) but I must say that it was a refreshing change to play the sexy girl and not be playing an emotionally heavy role*. On one hand, anyway. I know y’all are staring at my boobs – that’s okay, coz with that bra, I stare too. And the bonus is that with my scar, my boobs are pretty distinctive, should you be looking for them in the future.
On the other, it was a bit nerve-wracking: “does my bum look too big in this shot?” etc. Either way, if any of you like shock horror, I strongly recommend checking out Park Enforcer when it’s done. It’s a short, so post won’t be as long on it. I know I’m looking forward to seeing the end product… probably with one hand over my eyes. And see previous comment about professional crushes, because I got to work with a dream team of actors/director/producer/etc.

*I say this because thanks to a study I participated in recently about creating performances based in violence/hate/etc I have been thinking a lot about my psychological processes, the kinds of work I’m naturally drawn to, etc. Funny what subconscious things you notice about yourself and don’t realize.

Oh, and apparently James Donman lost another lawsuit. This makes me happy to hear. Congrats, CKLN.

Toronto Law Firm Hicks Morley’s Questionable Practices

Wednesday, January 5th, 2011

Excuse me for the rage and bluntness, but I am shaking here, I am that mad.

Recently, I found out that in regards to this whole Frozen North fiasco, their law firm Hicks Morley visited my aging, infirm grandfather and served papers to him that were supposed to be for me. At an address where I have not lived for FOUR YEARS.

They are denying this, of course, but this is to the best of my knowledge MALPRACTICE and against the Rules of Civil Procedure‘s outline for serving papers to begin a lawsuit.

My grandfather is STILL upset by this, almost two months later. I don’t care so much about things that effect me, but now that this bullshit lawsuit has gone on to target both my charity work and now my family? Enough is enough.

Nice to know that they’re as honest as their clients, I suppose.

So please, folks, help me spread the word on this one. I don’t tolerate injustice well and I get especially growly and protective of my goddamned FAMILY.

And the game’s afoot!

Thursday, October 7th, 2010

With my last post about con-man James Donman/John H. Lennon/Music Line International/John H. Lennon Music and whatever the fuck else he calls himself…

There’s a new update. This morning I got a shiny letter from a collection agency called Renaissance Collection Agency out of Hamilton. They’re at 110 King St. W, Suite 720, and their phone number is (905) 523-1110. I was nice enough to call and tell them that they’re aiding and abetting a known fraudster – how about you give them a call and let them know that too.

I find it laughable that James still thinks he’s entitled to any money, just because I was smart enough never to ‘work’ (ie get naked for) him. His contracts aren’t worth the paper he’s printing them on.

Oh, and he’s got a new ad out under a different name now too!

I’ll be continuing to post here as this steaming pile of shit bakes in the sun, and reporting any other businesses I find that continue to support his crimes. Guess what, Renaissance Collections – you’re now on my shit list!

I am waiting to hear back from Now Toronto in regards to leaving that ad up, but if there is no reply, I may have to list them as aiding a known fraudster as well.

“… it can’t happen to me.”

Sunday, October 3rd, 2010

I’m sure most actors like to think they’re savvy, that they know the ins and outs of the business of acting. You have to be confident in the audition room, you have to have it all together, you have to be ready and hungry to work when opportunities arise. Right?

But what you may not be so aware of is how you need to protect yourself as an actor. How often do we make ourselves vulnerable for near- or complete strangers? How much trust goes into showing up at auditions and shoots, some late at night or in rural locations, often alone? How much personal information do we give out about ourselves, through photos and social media and the forms we fill out at auditions and go-sees and for projects? In short, we leave ourselves open to risk – a LOT of risk. And not just the risk of rejection, but of something much worse… leaving the door open for the unethical, amoral and downright criminal people masquerading as industry folk to prey on us.

Let me tell you what happened to me recently, and then I want to share some tips on avoiding these creeps so you can better recognize some of the pitfalls before you get sucked in.

So, a month or so ago, I went to the Second City building (Edit by author: He was just booking space there for the day, and they were equally unaware of his reputation. The Second City folks have been receptive toward prohibiting him from using their space again) hear about for an audition, for what I was told was a music video for an artist named ‘Head Redme’. I get there and I’m the first to audition. I was asked what my rates were, which I wrote down, and was given some forms to fill out, which I was rushed through by the man auditioning me, who was named James. Stupidly, I provided both my full address and SIN number, not really paying attention. Whatever, I did the audition (a monologue about a time you felt inferior, mixed with some freeform dance) – and the whole time, the guy was beeping buttons on the camera (which was a tiny little handheld camera, btw) and then tells me after that he’s doing a “musical story”, not a music video and we chat a bit about the project before the next person comes in to audition. He tells me about the budget he has, which seemed rather pie in the sky, to say the least… but anything is plausible, right? I tend to be a patient and giving person, and often give people the benefit of the doubt. To be honest, I didn’t think much more of my encounter with James, other than he was weird and kind of unprofessional and unorganized, and I continued on with my day and didn’t dwell on the audition. After all, there’s lots of amateur film projects, right?

I hear back from James a few days later, saying he’d like to cast me in his project and could we set up a meeting to go over a contract? I was a little surprised, as I didn’t think my audition experience was all that stellar, and I wasn’t 100% sold on the project, but I agreed to meet with him anyway, on the following Tuesday.

That day, I go in and meet James in the early afternoon at the location he gives me. The first thing that strikes me about his office is the lack of personal belongings or even a computer – which I later learn is because he’s renting the place just for the day. The ‘contract’ he gives me to sign is unlike any contract I’ve ever seen before. It says nothing about what days I’d be working, what I’m getting paid, etc. Rather, it’s all about how I can’t talk about the project to anyone, and if I do, I would need to pay for ‘damages’ should anything happen. Oh, and the paperwork he had me rush through at the audition was now signed by him and notarized. This is the first big red flag in my mind, and I got out of signing anything further by saying I needed my agent to look over it first.
The second big ol’ red flag for me is that he won’t tell me much about my character/shooting days/the script, etc. I was expected to show up for “rehearsal” (which for some reason would be filmed), and he said that he would be calling me once the address and location were confirmed. He also asked what I had in terms of wardrobe, and asked me to bring in some options including a nice dress, business wear, and “sexy wear”. When I pushed for further details, he said that the basic plot of the film was that “my man was not satisfying me, so I was exploring other options.” At that point in time, I was pretty sure this was going to be some wannabe porno shoot in someone’s basement, and very pointedly told him that I under no circumstances would do nudity during rehearsals. His story suddenly changed, and apparently I would be screentesting for the role and was “up against some competition.” Apparently, whatever actress “was most willing to do the best job” would get the role. Oh, AND. They were still working on casting the male lead, apparently, who would be opposite me, so he’d be filling in at rehearsal/screentest/whatever the fuck it was for the time being.

I escaped that day with the excuse of “I need to talk to my agent”, and thought that would be the end of it. Boy, was I wrong. I did a little digging on Google, and found out a few interesting things about Head Redme. First off, there was a video on his Facebook fan page which confirmed my suspicions about production values and sketchiness of the project. Also, his “music video” was shot at a club where people were invited to come out and be dancers. Nobody professional had ever been attached to any of his projects, and probably more importantly, none of them had ever gotten paid.

A few days later, I get another call from James, asking if I’d talked to my agent and when we could get started with rehearsals because he was on a short timeline for shooting. I told him that I would need to see a full script for the project and would need a cast list to confirm who else was attached to it before I would be able to attend a rehearsal. He tried talking circles around me, to pressure me into attending anyway or to at least meet him in person to “go over the storyboards, because there is no real script and things change right up to the day of shooting.” I said I would need a script before proceeding, and got off the phone with him.

THEN, James starts calling my agent. I go in for a meeting with my agent to talk more about this festering problem, who agrees that this guy is NOT legit (as in, the lawyer ran Head Redme’s record company “John Lennon Records” and found nothing) and to let the police and major credit bureaus know that this creep has my SIN number. That same day, I call James back to tell him to leave me alone and that I have no further interest in working with him, and he says he will not – and that he will be sending me an invoice to bill me for violating my contract. Yeah, right.

So, today, I get an email from him saying that I owe him a ridiculous amount of money, which was followed with another email with increased costs after I informed him that if he contacted me again I would press harassment charges. He’s picked the wrong actor to tangle with this time, I’ll say that much.

James’ ‘real’ name, by the way, is James Donman. And I’m not the only one by far that he’s tried to harass/sue/fleece/get naked/etc. He apparently also goes by James Lennon, James H Lennon, John H (or Headley) Lennon, Head Redme, John Blackcloud, James Blackcloud, and a bunch of other variations on that. He also has a “music company” that produces his own work. I’m sure I’m not the first or the last person he’s going to try and scam and harass, but I’m at least going to take a stand against him and ask YOU to please help spread the word about him, so that this menace can be stopped. So that hopefully no other actors, dancers, artists… good, creative, loving, supportive people will be caught in his web of lies.

I encourage you to Google his name(s) to get more of the story. This is what he looks like, by the way:


Enough about that for now. I wanted to go over some tips on how to avoid becoming prey to people like James Donman.

First off, don’t give out your SIN/SSID number. EVER. Not until you’re officially on the payroll for whatever project you’re auditioning for. This was one that I wasn’t aware of (or had forgotten about), so don’t feel too badly if you weren’t aware of this either. People are entirely too trusting sometimes.

Secondly, if it seems too good to be true or kind of fishy, it probably is. I quoted high rates when initially asked for this project, which is why I was I surprised to get a call back about the job. I’m not saying I’m not worth that much money, it’s just that if people are too ready to bend over backwards for you or are too charming to try and sway you… it’s probably a scam. Same with anything you’re asked to pay for, including training, headshots, classes, etc. Assess fees before paying them.

Take at least 24 hours to consider any offers – don’t go signing for anything in the same day it’s offered. There’s a bunch of reasons for this.

Always get a second opinion from someone knowledgeable, and don’t be afraid to ask for clarification if you don’t understand something that’s being said. If you don’t know what you’re signing up for, don’t do it.

Google is your friend. In this day and age, you can research almost anyone and anything. Using quotes ” … ” will help you narrow your search parameters. Look up directors/musical acts/other actors attached to projects/film companies/etc before going to an audition, to confirm their credibility as much as get a sense of what they’re about. Sometimes there will be very little data online about someone, especially artists just starting out, but better safe than sorry.

ALWAYS trust your instincts. It’s great to be a nice person and respect everyone and try to be cooperative and helpful, but if you feel like you might be being taken for a ride, then be hesitant about who you’re dealing with. Especially if they’re someone you don’t know, and they’re someone nobody else you know knows, either. (Sometimes it’s better to be a tough sell rather than too eager, anyway.)
And along those lines, if you’re really not sure about someone… bring a personal assistant/escort to set with you. As long as you can show up and be professional, and as can they, it’s much better to have them there and be safe than to be alone with someone who turns out to be a creep.

With the more professional sets and projects you work on, the more you’ll get to see how professional projects are run. You should be able to tell the difference between people who are trying to be as professional as possible but may not know all the ins and outs of how film works, vs someone who is pretending to be someone other than who they are and trying to somehow exploit you.

Like they used to say on Reading Rainbow, “the more you know.” Be safe, and be smart… I will see about doing a follow-up post to this one soon, with more business tips for actors. Right now, though, I had a fabulous night last night at Nuit Blanche here in Toronto, and wanted to do a separate post about some of my favourite installations and pieces.